In parallel, there was a whole (low budget) fringe industry of movies made by and for the Black community, invisible to the mainstream, but reflecting the conditions of Black lives lived in and beside a white society.Īs pressure for civil rights increased, Hollywood needed to find ways to incorporate Black characters into mainstream narratives but the studios also faced the continuing reality of prejudice among large sections of the white audience. The music was absorbed into the mainstream while actual people remained marginalized. During Hollywood’s golden age, there was a strange mix of recognizing Black music as a powerful popular art form while depicting Black people with cruel, mocking stereotypes. The presentation of Black experience in American movies has gone through a number of distinct phases, reflecting both social attitudes and commercial considerations. ![]() In the Hughes Brothers’ Menace II Society (1993) ![]() Caine (Tyrin Turner) considers his grandfather’s question “Does it matter if you live or die?”
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